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Ulisse in Patria Livermore- Monteverdi FestivalIL RITORNO DI ULISSE IN PATRIA tragedia di lieto fine in un prologo e tre atti (realizzata in 2 parti) Libretto di Giacomo Badoaro Musica di Claudio Monteverdi Prima rappresentazione Teatro Santi Giovanni e Paolo, Venezia, 1640 Interpreti: Ulisse Mauro Borgioni Penelope Margherita Sala Telemaco Jacob Lawrence Il Tempo/Nettuno Luigi De Donato Amore/Giunone Giulia Bolcato La Fortuna Cristina Fanelli Minerva Arianna Vendittelli Giove Valentino Buzza L’humana Fragilità Chiara Osella Eumete Francisco Fernández-Rueda Eurimaco Alberto Allegrezza Melanto Alena Dantcheva Iro Davide Livermore Pisandro Arnaud Gluck Anfinomo Roberto Rilievi Antinoo Matteo Bellotto Ericlea Chiara Brunello Maestro concertatore e direttore Michele Pasotti Regia Davide Livermore Scene Eleonora Peronetti, D-WOK Costumi Anna Verde Light designer Antonio Castro Assistente regia Chiara Osella Assistente costumi Francesca Sartorio Orchestra La Fonte Musica Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Composta nel 1640 da Claudio Monteverdi, Il ritorno di Ulisse in patria è un dramma musicale intenso e coinvolgente, ispirato agli ultimi canti dell’Odissea di Omero. Dopo vent’anni di guerre e avventure, Ulisse torna finalmente a Itaca, ma la sua patria è cambiata: Penelope, fedele ma tormentata dall’incertezza, è costretta a respingere i numerosi pretendenti che vogliono usurpare il trono. Solo grazie all’astuzia e all’aiuto degli dèi, Ulisse potrà riconquistare il suo posto e rivelare la sua identità in una delle scene più commoventi e teatrali dell’opera. Divisa in tre atti, l’opera fonde magistralmente umanità e mitologia, intrecciando il destino degli dèi con quello degli uomini. La scrittura musicale alterna momenti di lirismo struggente a episodi di grande tensione drammatica, in un continuo gioco di contrasti che mantiene viva l’attenzione del pubblico. La regia di Davide Livermore fonde la classicità del mito con un’estetica innovativa, creando uno spettacolo visivamente straordinario che esalta la profondità emotiva dei personaggi. La direzione è affidata a Michele Pasotti alla guida del suo ensemble La Fonte Musica, vincitore del Premio Abbiati nel 2023 come miglior ensemble dell’ anno. Questa produzione è un’occasione imperdibile per immergersi in un capolavoro senza tempo, che parla di amore, fedeltà, ingegno e riscatto. Un’opera che, grazie alla straordinaria forza della musica di Monteverdi, riesce ancora oggi a emozionare e coinvolgere profondamente.https://operaincasa.com/wp-content/uploads/2025/06/ritorno-ulisse-in-patria-teatro-ponchielli-cr_lorenzo-gorini_10-06-2025_027.jpgRitorno Ulisse in Patria Livermore- Monteverdi FestivalIL RITORNO DI ULISSE IN PATRIA tragedia di lieto fine in un prologo e tre atti (realizzata in 2 parti) Libretto di Giacomo Badoaro Musica di Claudio Monteverdi Prima rappresentazione Teatro Santi Giovanni e Paolo, Venezia, 1640 Interpreti: Ulisse Mauro Borgioni Penelope Margherita Sala Telemaco Jacob Lawrence Il Tempo/Nettuno Luigi De Donato Amore/Giunone Giulia Bolcato La Fortuna Cristina Fanelli Minerva Arianna Vendittelli Giove Valentino Buzza L’humana Fragilità Chiara Osella Eumete Francisco Fernández-Rueda Eurimaco Alberto Allegrezza Melanto Alena Dantcheva Iro Davide Livermore Pisandro Arnaud Gluck Anfinomo Roberto Rilievi Antinoo Matteo Bellotto Ericlea Chiara Brunello Maestro concertatore e direttore Michele Pasotti Regia Davide Livermore Scene Eleonora Peronetti, D-WOK Costumi Anna Verde Light designer Antonio Castro Assistente regia Chiara Osella Assistente costumi Francesca Sartorio Orchestra La Fonte Musica Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Composta nel 1640 da Claudio Monteverdi, Il ritorno di Ulisse in patria è un dramma musicale intenso e coinvolgente, ispirato agli ultimi canti dell’Odissea di Omero. Dopo vent’anni di guerre e avventure, Ulisse torna finalmente a Itaca, ma la sua patria è cambiata: Penelope, fedele ma tormentata dall’incertezza, è costretta a respingere i numerosi pretendenti che vogliono usurpare il trono. Solo grazie all’astuzia e all’aiuto degli dèi, Ulisse potrà riconquistare il suo posto e rivelare la sua identità in una delle scene più commoventi e teatrali dell’opera. Divisa in tre atti, l’opera fonde magistralmente umanità e mitologia, intrecciando il destino degli dèi con quello degli uomini. La scrittura musicale alterna momenti di lirismo struggente a episodi di grande tensione drammatica, in un continuo gioco di contrasti che mantiene viva l’attenzione del pubblico. La regia di Davide Livermore fonde la classicità del mito con un’estetica innovativa, creando uno spettacolo visivamente straordinario che esalta la profondità emotiva dei personaggi. La direzione è affidata a Michele Pasotti alla guida del suo ensemble La Fonte Musica, vincitore del Premio Abbiati nel 2023 come miglior ensemble dell’ anno. Questa produzione è un’occasione imperdibile per immergersi in un capolavoro senza tempo, che parla di amore, fedeltà, ingegno e riscatto. Un’opera che, grazie alla straordinaria forza della musica di Monteverdi, riesce ancora oggi a emozionare e coinvolgere profondamente.https://operaincasa.com/wp-content/uploads/2025/06/ritorno-ulisse-in-patria-teatro-ponchielli-cr_lorenzo-gorini_10-06-2025_026.jpgRitorno Ulisse in Patria Livermore- Monteverdi FestivalIL RITORNO DI ULISSE IN PATRIA tragedia di lieto fine in un prologo e tre atti (realizzata in 2 parti) Libretto di Giacomo Badoaro Musica di Claudio Monteverdi Prima rappresentazione Teatro Santi Giovanni e Paolo, Venezia, 1640 Interpreti: Ulisse Mauro Borgioni Penelope Margherita Sala Telemaco Jacob Lawrence Il Tempo/Nettuno Luigi De Donato Amore/Giunone Giulia Bolcato La Fortuna Cristina Fanelli Minerva Arianna Vendittelli Giove Valentino Buzza L’humana Fragilità Chiara Osella Eumete Francisco Fernández-Rueda Eurimaco Alberto Allegrezza Melanto Alena Dantcheva Iro Davide Livermore Pisandro Arnaud Gluck Anfinomo Roberto Rilievi Antinoo Matteo Bellotto Ericlea Chiara Brunello Maestro concertatore e direttore Michele Pasotti Regia Davide Livermore Scene Eleonora Peronetti, D-WOK Costumi Anna Verde Light designer Antonio Castro Assistente regia Chiara Osella Assistente costumi Francesca Sartorio Orchestra La Fonte Musica Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Composta nel 1640 da Claudio Monteverdi, Il ritorno di Ulisse in patria è un dramma musicale intenso e coinvolgente, ispirato agli ultimi canti dell’Odissea di Omero. Dopo vent’anni di guerre e avventure, Ulisse torna finalmente a Itaca, ma la sua patria è cambiata: Penelope, fedele ma tormentata dall’incertezza, è costretta a respingere i numerosi pretendenti che vogliono usurpare il trono. Solo grazie all’astuzia e all’aiuto degli dèi, Ulisse potrà riconquistare il suo posto e rivelare la sua identità in una delle scene più commoventi e teatrali dell’opera. Divisa in tre atti, l’opera fonde magistralmente umanità e mitologia, intrecciando il destino degli dèi con quello degli uomini. La scrittura musicale alterna momenti di lirismo struggente a episodi di grande tensione drammatica, in un continuo gioco di contrasti che mantiene viva l’attenzione del pubblico. La regia di Davide Livermore fonde la classicità del mito con un’estetica innovativa, creando uno spettacolo visivamente straordinario che esalta la profondità emotiva dei personaggi. La direzione è affidata a Michele Pasotti alla guida del suo ensemble La Fonte Musica, vincitore del Premio Abbiati nel 2023 come miglior ensemble dell’ anno. Questa produzione è un’occasione imperdibile per immergersi in un capolavoro senza tempo, che parla di amore, fedeltà, ingegno e riscatto. Un’opera che, grazie alla straordinaria forza della musica di Monteverdi, riesce ancora oggi a emozionare e coinvolgere profondamente.https://operaincasa.com/wp-content/uploads/2025/06/ritorno-ulisse-in-patria-teatro-ponchielli-cr_lorenzo-gorini_10-06-2025_019.jpgRitorno Ulisse in Patria Livermore- Monteverdi FestivalIL RITORNO DI ULISSE IN PATRIA tragedia di lieto fine in un prologo e tre atti (realizzata in 2 parti) Libretto di Giacomo Badoaro Musica di Claudio Monteverdi Prima rappresentazione Teatro Santi Giovanni e Paolo, Venezia, 1640 Interpreti: Ulisse Mauro Borgioni Penelope Margherita Sala Telemaco Jacob Lawrence Il Tempo/Nettuno Luigi De Donato Amore/Giunone Giulia Bolcato La Fortuna Cristina Fanelli Minerva Arianna Vendittelli Giove Valentino Buzza L’humana Fragilità Chiara Osella Eumete Francisco Fernández-Rueda Eurimaco Alberto Allegrezza Melanto Alena Dantcheva Iro Davide Livermore Pisandro Arnaud Gluck Anfinomo Roberto Rilievi Antinoo Matteo Bellotto Ericlea Chiara Brunello Maestro concertatore e direttore Michele Pasotti Regia Davide Livermore Scene Eleonora Peronetti, D-WOK Costumi Anna Verde Light designer Antonio Castro Assistente regia Chiara Osella Assistente costumi Francesca Sartorio Orchestra La Fonte Musica Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Composta nel 1640 da Claudio Monteverdi, Il ritorno di Ulisse in patria è un dramma musicale intenso e coinvolgente, ispirato agli ultimi canti dell’Odissea di Omero. Dopo vent’anni di guerre e avventure, Ulisse torna finalmente a Itaca, ma la sua patria è cambiata: Penelope, fedele ma tormentata dall’incertezza, è costretta a respingere i numerosi pretendenti che vogliono usurpare il trono. Solo grazie all’astuzia e all’aiuto degli dèi, Ulisse potrà riconquistare il suo posto e rivelare la sua identità in una delle scene più commoventi e teatrali dell’opera. Divisa in tre atti, l’opera fonde magistralmente umanità e mitologia, intrecciando il destino degli dèi con quello degli uomini. La scrittura musicale alterna momenti di lirismo struggente a episodi di grande tensione drammatica, in un continuo gioco di contrasti che mantiene viva l’attenzione del pubblico. La regia di Davide Livermore fonde la classicità del mito con un’estetica innovativa, creando uno spettacolo visivamente straordinario che esalta la profondità emotiva dei personaggi. La direzione è affidata a Michele Pasotti alla guida del suo ensemble La Fonte Musica, vincitore del Premio Abbiati nel 2023 come miglior ensemble dell’ anno. Questa produzione è un’occasione imperdibile per immergersi in un capolavoro senza tempo, che parla di amore, fedeltà, ingegno e riscatto. Un’opera che, grazie alla straordinaria forza della musica di Monteverdi, riesce ancora oggi a emozionare e coinvolgere profondamente.https://operaincasa.com/wp-content/uploads/2025/06/ritorno-ulisse-in-patria-teatro-ponchielli-cr_lorenzo-gorini_10-06-2025_015.jpgRitorno Ulisse in Patria Livermore- Monteverdi FestivalIL RITORNO DI ULISSE IN PATRIA tragedia di lieto fine in un prologo e tre atti (realizzata in 2 parti) Libretto di Giacomo Badoaro Musica di Claudio Monteverdi Prima rappresentazione Teatro Santi Giovanni e Paolo, Venezia, 1640 Interpreti: Ulisse Mauro Borgioni Penelope Margherita Sala Telemaco Jacob Lawrence Il Tempo/Nettuno Luigi De Donato Amore/Giunone Giulia Bolcato La Fortuna Cristina Fanelli Minerva Arianna Vendittelli Giove Valentino Buzza L’humana Fragilità Chiara Osella Eumete Francisco Fernández-Rueda Eurimaco Alberto Allegrezza Melanto Alena Dantcheva Iro Davide Livermore Pisandro Arnaud Gluck Anfinomo Roberto Rilievi Antinoo Matteo Bellotto Ericlea Chiara Brunello Maestro concertatore e direttore Michele Pasotti Regia Davide Livermore Scene Eleonora Peronetti, D-WOK Costumi Anna Verde Light designer Antonio Castro Assistente regia Chiara Osella Assistente costumi Francesca Sartorio Orchestra La Fonte Musica Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Composta nel 1640 da Claudio Monteverdi, Il ritorno di Ulisse in patria è un dramma musicale intenso e coinvolgente, ispirato agli ultimi canti dell’Odissea di Omero. Dopo vent’anni di guerre e avventure, Ulisse torna finalmente a Itaca, ma la sua patria è cambiata: Penelope, fedele ma tormentata dall’incertezza, è costretta a respingere i numerosi pretendenti che vogliono usurpare il trono. Solo grazie all’astuzia e all’aiuto degli dèi, Ulisse potrà riconquistare il suo posto e rivelare la sua identità in una delle scene più commoventi e teatrali dell’opera. Divisa in tre atti, l’opera fonde magistralmente umanità e mitologia, intrecciando il destino degli dèi con quello degli uomini. La scrittura musicale alterna momenti di lirismo struggente a episodi di grande tensione drammatica, in un continuo gioco di contrasti che mantiene viva l’attenzione del pubblico. La regia di Davide Livermore fonde la classicità del mito con un’estetica innovativa, creando uno spettacolo visivamente straordinario che esalta la profondità emotiva dei personaggi. La direzione è affidata a Michele Pasotti alla guida del suo ensemble La Fonte Musica, vincitore del Premio Abbiati nel 2023 come miglior ensemble dell’ anno. Questa produzione è un’occasione imperdibile per immergersi in un capolavoro senza tempo, che parla di amore, fedeltà, ingegno e riscatto. Un’opera che, grazie alla straordinaria forza della musica di Monteverdi, riesce ancora oggi a emozionare e coinvolgere profondamente.https://operaincasa.com/wp-content/uploads/2025/06/ritorno-ulisse-in-patria-teatro-ponchielli-cr_lorenzo-gorini_10-06-2025_013.jpgRitorno Ulisse in Patria Livermore- Monteverdi FestivalIL RITORNO DI ULISSE IN PATRIA tragedia di lieto fine in un prologo e tre atti (realizzata in 2 parti) Libretto di Giacomo Badoaro Musica di Claudio Monteverdi Prima rappresentazione Teatro Santi Giovanni e Paolo, Venezia, 1640 Interpreti: Ulisse Mauro Borgioni Penelope Margherita Sala Telemaco Jacob Lawrence Il Tempo/Nettuno Luigi De Donato Amore/Giunone Giulia Bolcato La Fortuna Cristina Fanelli Minerva Arianna Vendittelli Giove Valentino Buzza L’humana Fragilità Chiara Osella Eumete Francisco Fernández-Rueda Eurimaco Alberto Allegrezza Melanto Alena Dantcheva Iro Davide Livermore Pisandro Arnaud Gluck Anfinomo Roberto Rilievi Antinoo Matteo Bellotto Ericlea Chiara Brunello Maestro concertatore e direttore Michele Pasotti Regia Davide Livermore Scene Eleonora Peronetti, D-WOK Costumi Anna Verde Light designer Antonio Castro Assistente regia Chiara Osella Assistente costumi Francesca Sartorio Orchestra La Fonte Musica Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Composta nel 1640 da Claudio Monteverdi, Il ritorno di Ulisse in patria è un dramma musicale intenso e coinvolgente, ispirato agli ultimi canti dell’Odissea di Omero. Dopo vent’anni di guerre e avventure, Ulisse torna finalmente a Itaca, ma la sua patria è cambiata: Penelope, fedele ma tormentata dall’incertezza, è costretta a respingere i numerosi pretendenti che vogliono usurpare il trono. Solo grazie all’astuzia e all’aiuto degli dèi, Ulisse potrà riconquistare il suo posto e rivelare la sua identità in una delle scene più commoventi e teatrali dell’opera. Divisa in tre atti, l’opera fonde magistralmente umanità e mitologia, intrecciando il destino degli dèi con quello degli uomini. La scrittura musicale alterna momenti di lirismo struggente a episodi di grande tensione drammatica, in un continuo gioco di contrasti che mantiene viva l’attenzione del pubblico. La regia di Davide Livermore fonde la classicità del mito con un’estetica innovativa, creando uno spettacolo visivamente straordinario che esalta la profondità emotiva dei personaggi. La direzione è affidata a Michele Pasotti alla guida del suo ensemble La Fonte Musica, vincitore del Premio Abbiati nel 2023 come miglior ensemble dell’ anno. Questa produzione è un’occasione imperdibile per immergersi in un capolavoro senza tempo, che parla di amore, fedeltà, ingegno e riscatto. Un’opera che, grazie alla straordinaria forza della musica di Monteverdi, riesce ancora oggi a emozionare e coinvolgere profondamente.https://operaincasa.com/wp-content/uploads/2025/06/ritorno-ulisse-in-patria-teatro-ponchielli-cr_lorenzo-gorini_10-06-2025_009.jpgRitorno Ulisse in Patria Livermore- Monteverdi FestivalIL RITORNO DI ULISSE IN PATRIA tragedia di lieto fine in un prologo e tre atti (realizzata in 2 parti) Libretto di Giacomo Badoaro Musica di Claudio Monteverdi Prima rappresentazione Teatro Santi Giovanni e Paolo, Venezia, 1640 Interpreti: Ulisse Mauro Borgioni Penelope Margherita Sala Telemaco Jacob Lawrence Il Tempo/Nettuno Luigi De Donato Amore/Giunone Giulia Bolcato La Fortuna Cristina Fanelli Minerva Arianna Vendittelli Giove Valentino Buzza L’humana Fragilità Chiara Osella Eumete Francisco Fernández-Rueda Eurimaco Alberto Allegrezza Melanto Alena Dantcheva Iro Davide Livermore Pisandro Arnaud Gluck Anfinomo Roberto Rilievi Antinoo Matteo Bellotto Ericlea Chiara Brunello Maestro concertatore e direttore Michele Pasotti Regia Davide Livermore Scene Eleonora Peronetti, D-WOK Costumi Anna Verde Light designer Antonio Castro Assistente regia Chiara Osella Assistente costumi Francesca Sartorio Orchestra La Fonte Musica Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Composta nel 1640 da Claudio Monteverdi, Il ritorno di Ulisse in patria è un dramma musicale intenso e coinvolgente, ispirato agli ultimi canti dell’Odissea di Omero. Dopo vent’anni di guerre e avventure, Ulisse torna finalmente a Itaca, ma la sua patria è cambiata: Penelope, fedele ma tormentata dall’incertezza, è costretta a respingere i numerosi pretendenti che vogliono usurpare il trono. Solo grazie all’astuzia e all’aiuto degli dèi, Ulisse potrà riconquistare il suo posto e rivelare la sua identità in una delle scene più commoventi e teatrali dell’opera. Divisa in tre atti, l’opera fonde magistralmente umanità e mitologia, intrecciando il destino degli dèi con quello degli uomini. La scrittura musicale alterna momenti di lirismo struggente a episodi di grande tensione drammatica, in un continuo gioco di contrasti che mantiene viva l’attenzione del pubblico. La regia di Davide Livermore fonde la classicità del mito con un’estetica innovativa, creando uno spettacolo visivamente straordinario che esalta la profondità emotiva dei personaggi. La direzione è affidata a Michele Pasotti alla guida del suo ensemble La Fonte Musica, vincitore del Premio Abbiati nel 2023 come miglior ensemble dell’ anno. Questa produzione è un’occasione imperdibile per immergersi in un capolavoro senza tempo, che parla di amore, fedeltà, ingegno e riscatto. Un’opera che, grazie alla straordinaria forza della musica di Monteverdi, riesce ancora oggi a emozionare e coinvolgere profondamente.https://operaincasa.com/wp-content/uploads/2025/06/ritorno-ulisse-in-patria-teatro-ponchielli-cr_lorenzo-gorini_10-06-2025_002.jpgRitorno Ulisse in Patria Livermore- Monteverdi FestivalIL RITORNO DI ULISSE IN PATRIA tragedia di lieto fine in un prologo e tre atti (realizzata in 2 parti) Libretto di Giacomo Badoaro Musica di Claudio Monteverdi Prima rappresentazione Teatro Santi Giovanni e Paolo, Venezia, 1640 Interpreti: Ulisse Mauro Borgioni Penelope Margherita Sala Telemaco Jacob Lawrence Il Tempo/Nettuno Luigi De Donato Amore/Giunone Giulia Bolcato La Fortuna Cristina Fanelli Minerva Arianna Vendittelli Giove Valentino Buzza L’humana Fragilità Chiara Osella Eumete Francisco Fernández-Rueda Eurimaco Alberto Allegrezza Melanto Alena Dantcheva Iro Davide Livermore Pisandro Arnaud Gluck Anfinomo Roberto Rilievi Antinoo Matteo Bellotto Ericlea Chiara Brunello Maestro concertatore e direttore Michele Pasotti Regia Davide Livermore Scene Eleonora Peronetti, D-WOK Costumi Anna Verde Light designer Antonio Castro Assistente regia Chiara Osella Assistente costumi Francesca Sartorio Orchestra La Fonte Musica Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Composta nel 1640 da Claudio Monteverdi, Il ritorno di Ulisse in patria è un dramma musicale intenso e coinvolgente, ispirato agli ultimi canti dell’Odissea di Omero. Dopo vent’anni di guerre e avventure, Ulisse torna finalmente a Itaca, ma la sua patria è cambiata: Penelope, fedele ma tormentata dall’incertezza, è costretta a respingere i numerosi pretendenti che vogliono usurpare il trono. Solo grazie all’astuzia e all’aiuto degli dèi, Ulisse potrà riconquistare il suo posto e rivelare la sua identità in una delle scene più commoventi e teatrali dell’opera. Divisa in tre atti, l’opera fonde magistralmente umanità e mitologia, intrecciando il destino degli dèi con quello degli uomini. La scrittura musicale alterna momenti di lirismo struggente a episodi di grande tensione drammatica, in un continuo gioco di contrasti che mantiene viva l’attenzione del pubblico. La regia di Davide Livermore fonde la classicità del mito con un’estetica innovativa, creando uno spettacolo visivamente straordinario che esalta la profondità emotiva dei personaggi. La direzione è affidata a Michele Pasotti alla guida del suo ensemble La Fonte Musica, vincitore del Premio Abbiati nel 2023 come miglior ensemble dell’ anno. Questa produzione è un’occasione imperdibile per immergersi in un capolavoro senza tempo, che parla di amore, fedeltà, ingegno e riscatto. Un’opera che, grazie alla straordinaria forza della musica di Monteverdi, riesce ancora oggi a emozionare e coinvolgere profondamente.2025-11-06T09:15:22+00:00monthlyhttps://operaincasa.com/2025/06/18/siegfried-teatro-alla-scala-alexander-soddy-david-mcvicar-klaus-florian-vogt-wolfgang-ablinger-sperracke-michael-volle-camilla-nylund/https://operaincasa.com/wp-content/uploads/2025/06/023_096a2828-ph-brescia-e-amisano-teatro-alla-scala.jpeg023_096a2828-ph-brescia-e-amisano--teatro-alla-scalahttps://operaincasa.com/wp-content/uploads/2025/06/9-168_gn1a0631-ph-brescia-e-amisano-teatro-alla-scala.jpeg9-168_gn1a0631-ph-brescia-e-amisano--teatro-alla-scalahttps://operaincasa.com/wp-content/uploads/2025/06/6-095_gn1a0385-ph-brescia-e-amisano-teatro-alla-scala.jpeg6-095_gn1a0385-ph-brescia-e-amisano--teatro-alla-scalahttps://operaincasa.com/wp-content/uploads/2025/06/3-059_gn1a0236-ph-brescia-e-amisano-teatro-alla-scala.jpeg3-059_gn1a0236-ph-brescia-e-amisano--teatro-alla-scalahttps://operaincasa.com/wp-content/uploads/2025/06/2-036_096a3234-ph-brescia-e-amisano-teatro-alla-scala.jpeg2-036_096a3234-ph-brescia-e-amisano--teatro-alla-scalahttps://operaincasa.com/wp-content/uploads/2025/06/1-090_gn1a0350-ph-brescia-e-amisano-teatro-alla-scala.jpeg1-090_gn1a0350-ph-brescia-e-amisano--teatro-alla-scala2025-11-06T09:10:12+00:00monthlyhttps://operaincasa.com/2025/06/19/sweeney-todd-opera-national-du-rhin-bassem-akiki-barrie-kosky-natalie-dessai-scott-hendricks/https://operaincasa.com/wp-content/uploads/2025/06/s.t.gp9890web.jpgS.T.GP9890WEBhttps://operaincasa.com/wp-content/uploads/2025/06/s.t.gp9855web.jpgS.T.GP9855WEBhttps://operaincasa.com/wp-content/uploads/2025/06/s.t.gp8961web.jpgS.T.GP8961WEBhttps://operaincasa.com/wp-content/uploads/2025/06/s.t.gp8696web.jpgS.T.GP8696WEBhttps://operaincasa.com/wp-content/uploads/2025/06/s.t.gp-4808web.jpgS.T.GP-4808WEBhttps://operaincasa.com/wp-content/uploads/2025/06/s.t.gp-4511web.jpgS.T.GP-4511WEB2025-11-06T09:05:00+00:00monthlyhttps://operaincasa.com/2025/06/29/lercole-amante-monteverdi-festival-cremona-antonio-greco-andrea-bernard-renato-dolcini/https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_038.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_032.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_028.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_022.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_021.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_020.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_010.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_006.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.https://operaincasa.com/wp-content/uploads/2025/06/mf42-ercole-amante-teatro-ponchielli-_lorenzo-gorini-ph_22-06-2025_005.jpgErcole Amante - Monteverdi Festivaltragedia di un prologo e cinque atti Libretto di Francesco Buti Musica di Francesco Cavalli Edizione critica a cura di Álvaro Torrente, Bärenreiter-Verlag rappresentante per l’Italia casa Musicale Sonzogno di Piero Ostali, Milano Prima rappresentazione Teatro delle Tuileries, Parigi, 7 febbraio 1662 Prima rappresentazione italiana Teatro La Fenice, Venezia, 17 febbraio 1961 Interpreti: Ercole Renato Dolcini Venere/Bellezza/Cinzia Paola Valentina Molinari Iole Hilary Aeschliman Giunone Theodora Raftis Hyllo Jorge Navarro Colorado Deianira Shaked Bar Nettuno/Ombra di Eutyro Federico Domenico Eraldo Sacchi Pasithea Chiara Nicastro Licco Danilo Pastore Paggio Maximiliano Danta Mercurio Matteo Straffi Tevere Arrigo Liverani Minzoni Tre grazie Benedetta Zanotto, Giorgia Sorichetti, Isabella Di Pietro Maestro concertatore e direttore Antonio Greco Regia Andrea Bernard Scene Alberto Beltrame Costumi Elena Beccaro Light designer Marco Alba Coreografie Giulia Tornarolli Assistente regia Tecla Gucci Ludolf Assistente scene Giulia Turconi Assistente costumi Emilia Zagnoli Orchestra e Coro Monteverdi Festival – Cremona Antiqua Nuovo allestimento Produzione Monteverdi Festival, Fondazione Teatro Ponchielli Ercole amante di Francesco Cavalli è un’opera che incarna l’intensità e la bellezza della musica barocca, un viaggio nell’eroismo, nell’amore e nel destino. La storia di Ercole, tormentato dall’amore impossibile per Iole, è un intreccio di passioni umane e divinità che affascina per la sua drammaticità e la ricchezza musicale. Cavalli, maestro indiscusso della scena veneziana, crea un’opera che affonda le radici nel mito, ma che allo stesso tempo tocca corde intime ed emotive, con un affascinante gioco di luce e ombra, tra bellezza e sofferenza. La regia di Andrea Bernard porta nuova linfa vitale a quest’opera barocca, reinterpretandola con un approccio che ne esalta la tensione emotiva e l’intensità psicologica dei protagonisti. Il suo sguardo contemporaneo non tradisce la tradizione, ma la rinnova, coinvolgendo il pubblico in un’esperienza teatrale potente e viscerale. La direzione musicale di Antonio Greco, con l’Orchestra e il Coro del Monteverdi Festival di Cremona, infonde alla partitura una freschezza straordinaria, rivelando ogni sfumatura della musica di Cavalli con passione e precisione. L’intensa espressività delle voci e la cura nei dettagli strumentali fanno di questa produzione un’esperienza musicale indimenticabile. Non è un caso che Cavalli, allievo di Monteverdi, abbia saputo raccogliere l’eredità del maestro creando un linguaggio musicale che, pur nell’evoluzione stilistica, conserva quella profondità espressiva che caratterizza la scuola veneziana. Ercole amante si inserisce perfettamente in questa tradizione, portando in scena un’opera che è tanto rara quanto preziosa, per la sua bellezza musicale e la sua rarità. Un’occasione unica per vivere una perla del repertorio barocco, da non lasciarsi sfuggire.2025-11-06T09:00:43+00:00monthlyhttps://operaincasa.com/2025/08/15/one-morning-turns-into-an-eternity-schoenberg-webern-mahler-esa-pekka-salonen-peter-sellars-ausrine-stundite/https://operaincasa.com/wp-content/uploads/2025/08/one-morning-2025-c-sf-ruth-walz-001.jpgOne Morning Turns Into An Eternity ERWARTUNG ( A.Schönberg ) DER ABSCHIED aus : Das Lied von der Erde ( G. Mahler)Musikalische Leitung: Esa PEkka Salonen ; Regie: Peter Sellars; Stage : George Tsypin; Kostüme : Camille Assaf; Liht James F. Ingalls Dramturge: A.ntonio Cuenca Ruiz Erwartung AUSRINE STUNDYTE Der Abschied: FLEUR BARRONhttps://operaincasa.com/wp-content/uploads/2025/08/one-morning-2025-c-sf-ruth-walz-002.jpgOne Morning Turns Into An Eternity ERWARTUNG ( A.Schönberg ) DER ABSCHIED aus : Das Lied von der Erde ( G. Mahler)Musikalische Leitung: Esa PEkka Salonen ; Regie: Peter Sellars; Stage : George Tsypin; Kostüme : Camille Assaf; Liht James F. Ingalls Dramturge: A.ntonio Cuenca Ruiz Erwartung AUSRINE STUNDYTE Der Abschied: FLEUR BARRONhttps://operaincasa.com/wp-content/uploads/2025/08/one-morning-2025-c-sf-ruth-walz-006.jpgOne Morning Turns Into An Eternity ERWARTUNG ( A.Schönberg ) DER ABSCHIED aus : Das Lied von der Erde ( G. Mahler)Musikalische Leitung: Esa PEkka Salonen ; Regie: Peter Sellars; Stage : George Tsypin; Kostüme : Camille Assaf; Liht James F. Ingalls Dramturge: A.ntonio Cuenca Ruiz Erwartung AUSRINE STUNDYTE Der Abschied: FLEUR BONNARDhttps://operaincasa.com/wp-content/uploads/2025/08/one-morning-2025-c-sf-ruth-walz-0035.jpgOne Morning Turns Into An Eternity ERWARTUNG ( A.Schönberg ) DER ABSCHIED aus : Das Lied von der Erde ( G. Mahler)Musikalische Leitung: Esa PEkka Salonen ; Regie: Peter Sellars; Stage : George Tsypin; Kostüme : Camille Assaf; Liht James F. Ingalls Dramturge: A.ntonio Cuenca Ruiz Erwartung AUSRINE STUNDYTE Der Abschied: FLEUR BARRONhttps://operaincasa.com/wp-content/uploads/2025/08/one-morning-2025-c-sf-ruth-walz-0038.jpgOne Morning Turns Into An Eternity ERWARTUNG ( A.Schönberg ) DER ABSCHIED aus : Das Lied von der Erde ( G. Mahler)Musikalische Leitung: Esa PEkka Salonen ; Regie: Peter Sellars; Stage : George Tsypin; Kostüme : Camille Assaf; Liht James F. Ingalls Dramturge: A.ntonio Cuenca Ruiz Erwartung AUSRINE STUNDYTE Der Abschied: FLEUR 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Meilhac, Ludovic Halevy Direction musicale : Stefano Montanari Mise en scène : Barrie Kosky Décors : Rufus Didwiszus Costumes : Victoria Behr Choregraphie : Otto Pichler Lumières : Ulrich Eh Dramaturgie : Antonio Cuenca Ruiz Chef des Chœurs : Ching-Lien Wu Distribution : Falsacappa : Marcel Beekman Fiorella : Marie Perbost Fragoletto :Antoinette Dennefeld Le Baron de Campotasso :Yann Beuron Le Chef des carabiniers : Laurent Naouri Le Prince de Mantoue : Mathias Vidal Antonio :Sandrine Sarroche Le Comte de Gloria-Cassis : Philippe Talbot La Princesse de Grenade : Adriana Bignagni Lesca Adolphe de Valladolid : Flore Royer Le Précepteur : Luis-Felipe Sousa Carmagnola : Leonardo Cortellazzi Domino : Eric Huchet Barbavano : Franck Leguerinel Pietro : Rodolphe Briand Zerlina : Ilanah Lobel‑Torres Fiammetta : Clara Guillon Bianca : Maria Warenberg Cicinella : Marine Chagnon La Marquise : Doris Lamprecht La Duchesse : Helene Schneiderman Sangrietta / Pipa : Manon Barthelemy Tortilla : Rachella 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de Mantoue : Mathias Vidal Antonio :Sandrine Sarroche Le Comte de Gloria-Cassis : Philippe Talbot La Princesse de Grenade : Adriana Bignagni Lesca Adolphe de Valladolid : Flore Royer Le Précepteur : Luis-Felipe Sousa Carmagnola : Leonardo Cortellazzi Domino : Eric Huchet Barbavano : Franck Leguerinel Pietro : Rodolphe Briand Zerlina : Ilanah Lobel‑Torres Fiammetta : Clara Guillon Bianca : Maria Warenberg Cicinella : Marine Chagnon La Marquise : Doris Lamprecht La Duchesse : Helene Schneiderman Sangrietta / Pipa : Manon Barthelemy Tortilla : Rachella Kingswijk Burratina : Cecile L’Heureux Castagnetta / Pipetta : Corinne Martin Pizzaiolo : Victorien Bonnet Flamenco : Nicolas Jean‑Brianchon Zucchini / Pipo : Jules Robin Siestasubito : Hedi Tarkani © Agathe Poupeney / OnP / 18/09/2024 / Palais Garnier - Opéra national du Paris /France / 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Monteverdi, A. Falconieri, F. Cavalli Apolline Raï-Westphal, soprano Thaïs Raï-Westphal, soprano Christophe Rousset, direzione LES TALENS LYRIQUES Gilone Gaubert, Benjamin Chénier – violini Emmanuel Jacques – violoncello Karl Nyhlin – liuto Christophe Rousset – clavicembalo e organo Programma: Claudio Monteverdi (1567-1643) dall’opera L’Incoronazione di Poppea, SV 308, Venezia, Teatro SS. Giovanni e Paolo, 1643: Sinfonia (versione di Napoli) Signor, deh non partire, atto I, scena 3 Speranza tu mi vai, atto I, scena 4 Come dolci signor, atto I, scena 10 Andrea Falconieri (1585-1656) Sonata Folias echa para mi Señora Doña Tarolilla de Carallenos dal Primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliarde, alemane, volte, Napoli, 1650 Claudio Monteverdi Ohimé, dov’è il mio ben, dov’è il mio core?, SV 140, romanesca a due voci dal Settimo Libro de Madrigali a 1, 2, 3, 4, et 6 voci, con altri generi, Venezia, 1619 Signor, signor oggi rinasco, atto III, scena 5 dall’opera L’Incoronazione di Poppea, SV 308, Venezia, Teatro SS. Giovanni e Paolo, 1643 Francesco Cavalli (1602-1676) dall’opera Veremonda l’amazzone di Aragona, ossia Il Delio, Napoli, Palazzo Reale, 1652: Sinfonia Prologo dall’opera Il Ciro, Venezia, Teatro SS. 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Giovanni e Paolo, 1643 Dopo quasi dieci anni di assenza torna al Monteverdi Festival uno degli artisti più rinomati al mondo per l’interpretazione della musica tardo rinascimentale e barocca, Christophe Rousset. 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2024 - Photo : Vincent PONTEThttps://operaincasa.com/wp-content/uploads/2024/10/20240617-096vp-1438x960-1.jpeg20240617-096VP-1438x960https://operaincasa.com/wp-content/uploads/2024/10/20240617-052vp.jpegL OLIMPIADE -L OLIMPIADE - Compositeur : Antonio VIVALDI - Direction Musicale : Jean Christophe SPINOSI - Mise en scene : Emmanuel DAUMAS - Scenographie : Alban HO VAN - Choregraphie : Raphaelle DELAUNAY - Costumes : Marie LA ROCCA - Lumieres : Bruno MARSOL - Avec : Marina VIOTTI (Megacle) - Luigi DE DONATO (Clistene) - Ensemble Matheus - Au Theatre des Champs Elysees - Le 17 06 2024 - Photo : Vincent PONTEThttps://operaincasa.com/wp-content/uploads/2024/10/20240617-039vp.jpegL OLIMPIADE -L OLIMPIADE - Compositeur : Antonio VIVALDI - Direction Musicale : Jean Christophe SPINOSI - Mise en scene : Emmanuel DAUMAS - Scenographie : Alban HO VAN - Choregraphie : Raphaelle DELAUNAY - Costumes : Marie LA ROCCA - Lumieres : Bruno MARSOL - Avec : Jakub Jozef ORLINSKI (Licida) - Ensemble Matheus 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23.00.44https://operaincasa.com/wp-content/uploads/2024/05/dsc07331.jpegDSC07331https://operaincasa.com/wp-content/uploads/2024/05/alfred-alfred-1.jpegalfred-alfred-12025-06-20T12:00:03+00:00monthlyhttps://operaincasa.com/2014/06/24/siegfried/https://operaincasa.com/wp-content/uploads/2014/06/51xamr42ecl.jpg51xamr42EcL2025-06-18T08:04:44+00:00monthlyhttps://operaincasa.com/2025/06/17/dolce-tormento/2025-06-17T15:21:46+00:00monthlyhttps://operaincasa.com/2025/06/16/regine-di-cuori/2025-06-16T13:26:31+00:00monthlyhttps://operaincasa.com/2025/06/15/ariadnes-echo/https://operaincasa.com/wp-content/uploads/2025/06/img_8799.jpgIMG_8799https://operaincasa.com/wp-content/uploads/2025/06/img_8787.jpgIMG_87872025-06-15T22:26:26+00:00monthlyhttps://operaincasa.com/2025/06/13/matrimonio-al-convento-2/https://operaincasa.com/wp-content/uploads/2025/06/53090_verlobung-_c_-werner-kmetitsch-17.jpeg53090_Verlobung-_c_-Werner-Kmetitsch-17https://operaincasa.com/wp-content/uploads/2025/06/53085_verlobung-_c_-werner-kmetitsch-13.jpeg53085_Verlobung-_c_-Werner-Kmetitsch-13https://operaincasa.com/wp-content/uploads/2025/06/53082_verlobung-_c_-werner-kmetitsch-11.jpeg53082_Verlobung-_c_-Werner-Kmetitsch-11https://operaincasa.com/wp-content/uploads/2025/06/53081_verlobung-_c_-werner-kmetitsch-10.jpeg53081_Verlobung-_c_-Werner-Kmetitsch-10https://operaincasa.com/wp-content/uploads/2025/06/53077_verlobung-_c_-werner-kmetitsch-6.jpeg53077_Verlobung-_c_-Werner-Kmetitsch-6https://operaincasa.com/wp-content/uploads/2025/06/53074_verlobung-_c_-werner-kmetitsch-4.jpeg53074_Verlobung-_c_-Werner-Kmetitsch-4https://operaincasa.com/wp-content/uploads/2025/06/53072_verlobung-_c_-werner-kmetitsch-2.jpeg53072_Verlobung-_c_-Werner-Kmetitsch-22025-06-15T08:43:44+00:00monthlyhttps://operaincasa.com/2014/05/21/il-ritorno-di-ulisse-in-patria/https://operaincasa.com/wp-content/uploads/2014/05/5146vnwrayl.jpg5146VNwraYLhttps://operaincasa.com/wp-content/uploads/2014/05/t40644wiump.jpgt40644wiump2025-06-14T22:46:18+00:00monthlyhttps://operaincasa.com/2025/01/16/les-contes-dhoffmann-8/https://operaincasa.com/wp-content/uploads/2025/01/xxl_marina_costa-jackson_as_giulietta_in_damiano_michieletto_s_production_of_offenbach_s_the_tales_of_hoffmann__the_royal_opera__2024_camilla_greenwell.jpegxxl_marina_costa-jackson_as_giulietta_in_damiano_michieletto_s_production_of_offenbach_s_the_tales_of_hoffmann__the_royal_opera__2024_camilla_greenwellhttps://operaincasa.com/wp-content/uploads/2025/01/talesofhoffmann_roh_6414.jpegTalesOfHoffmann_ROH_6414The 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♮ Ein Sklave / Uno schiavo | Vasco Maria Vagnoli ♮ Orchestra e Balletto del Teatro di San Carlo Direttore del Balletto, Clotilde Vayer Produzione del Teatro di San Carlo ♭ debutto al Teatro di San Carlo ♮ Coro del Teatro di San Carlo # Accademia del Teatro di San Carlo Teatro di San Carlo | BLU giovedì 20 marzo 2025, ore 20:00 – A – BLU – III domenica 23 marzo 2025, ore 17:00 – F – BLU – III mercoledì 26 marzo 2025, ore 20:00 – B- BLU – IV sabato 29 marzo 2025, ore 20:00 – C/D – BLU – III Opera in tedesco con sovratitoli in italiano e inglese Durata: 1 ora e 40 minuti circa, senza intervallo2025-03-24T13:40:39+00:00monthlyhttps://operaincasa.com/2017/10/16/tristan-und-isolde-2/https://operaincasa.com/wp-content/uploads/2017/10/tristano-e-isotta-281-17920-kgsf-u1101498228156arh-1024x576lastampa-it.jpgTristano e Isotta 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copiahttps://operaincasa.com/wp-content/uploads/2025/03/prove-alcina_carlo-vistoli-ruggiero_ph-fabrizio-sansoni-opera-di-roma-2025_5197-scaled.jpg-copia.jpgProve-Alcina_Carlo-Vistoli-Ruggiero_ph-Fabrizio-Sansoni-Opera-di-Roma-2025_5197-scaled.jpg copiahttps://operaincasa.com/wp-content/uploads/2025/03/alcina_mary-bevan-morgana_ph-fabrizio-sansoni-opera-di-roma-2025_2450-scaled.jpg-copia.jpgAlcina_Mary-Bevan-Morgana_ph-Fabrizio-Sansoni-Opera-di-Roma-2025_2450-scaled.jpg copiahttps://operaincasa.com/wp-content/uploads/2025/03/alcina_francesco-salvadori-melisso-mariangela-sicilia-alcina-carlo-vistoli-ruggiero_ph-fabrizio-sansoni-opera-di-roma-2025_6398-scaled.jpg-copia.jpgAlcina_Francesco-Salvadori-Melisso-Mariangela-Sicilia-Alcina-Carlo-Vistoli-Ruggiero_ph-Fabrizio-Sansoni-Opera-di-Roma-2025_6398-scaled.jpg copiahttps://operaincasa.com/wp-content/uploads/2025/03/15pg06af00.jpeg15pg06af002025-03-20T22:22:24+00:00monthlyhttps://operaincasa.com/2014/05/25/alcina/https://operaincasa.com/wp-content/uploads/2014/05/51xnkk4nzal.jpg51xNKk4nZaL2025-03-20T15:15:23+00:00monthlyhttps://operaincasa.com/2025/03/18/der-prozess/https://operaincasa.com/wp-content/uploads/2025/03/52757_der_prozess_13__c__herwig_prammer.jpeg52757_Der_Prozess_13__c__Herwig_Prammerhttps://operaincasa.com/wp-content/uploads/2025/03/52756_der_prozess_12__c__herwig_prammer.jpeg52756_Der_Prozess_12__c__Herwig_Prammerhttps://operaincasa.com/wp-content/uploads/2025/03/52753_der_prozess_9__c__herwig_prammer.jpeg52753_Der_Prozess_9__c__Herwig_Prammerhttps://operaincasa.com/wp-content/uploads/2025/03/52751_der_prozess_7__c__herwig_prammer.jpeg52751_Der_Prozess_7__c__Herwig_Prammerhttps://operaincasa.com/wp-content/uploads/2025/03/52747_der_prozess_3__c__herwig_prammer.jpeg52747_Der_Prozess_3__c__Herwig_Prammer2025-03-18T08:38:47+00:00monthlyhttps://operaincasa.com/2025/03/15/stagione-sinfonica-rai-luciano-berio-folk-songs-robert-trevino-justina-gringyte-dmitrij-sostakovic-quarta-sinfonia/https://operaincasa.com/wp-content/uploads/2025/03/screenshot-2023-09-30-11.27.49-1.pngScreenshot-2023-09-30-11.27.492025-03-15T11:34:47+00:00monthlyhttps://operaincasa.com/2022/12/16/stagione-sinfonica-rai-11/https://operaincasa.com/wp-content/uploads/2022/12/xx02-1200x1200-cropped-1.jpgxx02-1200x1200-cropped2025-03-13T14:45:07+00:00monthlyhttps://operaincasa.com/2025/01/10/stagione-sinfonica-rai-28/https://operaincasa.com/wp-content/uploads/2025/01/patrick-hahn-100_v-img__16__9__xl_-d31c35f8186ebeb80b0cd843a7c267a0e0c81647.jpgpatrick-hahn-100~_v-img__16__9__xl_-d31c35f8186ebeb80b0cd843a7c267a0e0c81647https://operaincasa.com/wp-content/uploads/2025/01/schermata-2025-01-10-alle-14.54.32.pngSchermata 2025-01-10 alle 14.54.322025-03-13T10:19:01+00:00monthlyhttps://operaincasa.com/2024/12/17/festival-incanto-egizio/https://operaincasa.com/wp-content/uploads/2024/12/thamos_fb.jpg-copia.jpgThamos_FB.jpg copia2025-03-13T10:01:32+00:00monthlyhttps://operaincasa.com/2024/12/03/stagione-di-concerti/https://operaincasa.com/wp-content/uploads/2024/12/napoli-concerto-grigorian-geniusas-01-12-2024.jpgAsmik Grigorian_Lukas GeniušasSoprano | Asmik Grigorian Pianoforte | Lukas Geniušas♭ Programma Sergej Vasil’evič Rachmaninov Non cantare, bella fanciulla, Op. 4 n. 4 Tutto mi ha tolto Op. 26 n. 2 Oh, non rattristarti, Op. 14 n. 8 Come sto male! Op. 21 n. 12 Hopak dall’opera “La fiera di Soročincy” di Modest Musorgskij Margherite Op. 38 n. 3 Il volo del calabrone dall’opera “La favola dello Zar Saltan” di Nikolaj Rimskij-Korsakov Bambino, sei bello come un fiore, Op. 8 n. 2 Hanno risposto Op. 21 n. 4 Nel silenzio della notte segreta, Op. 4 n. 3 Non credermi, amico! Op 14 n. 7 Crepuscolo, Op. 21 n. 3 Com’è bello qui, Moderato in La maggiore Op. 21 n. 7 Ti aspetto, Op. 14 n. 1 Acque primaverili, Op. 14 n. 11 Preludio in sol diesis minore, Op. 32 n. 12 Preludio in re bemolle, Op. 32 n. 13 Il sogno, Op. 8 n. 5 Frammento da Musset Op. 21 n. 6 Dissonanza, Non Allegro. 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CarloGiuseppe Verdi DON CARLO Libretto di Joseph Méry e Camille du Locle, tratto dal dramma Don Karlos, Infant von Spanien di Friedrich Schiller Versione in Italiano in 5 atti (Modena, 1886) Direttore | Juraj Valčuha Regia | Claus Guth♭ Scene | Etienne Pluss Costumi | Petra Reinhardt Luci | Olaf Freese Video | Roland Horvath Drammaturgia | Yvonne Gebauer Interpreti Filippo II | Michele Pertusi Don Carlo | Matthew Polenzani Rodrigo marchese | Ludovic Tézier (26, 29, 1, 3) / Ernesto Petti (6) Il grande inquisitore | Alexander Tsymbalyuk Un frate | Giorgi Manoshvili ♭ Elisabetta di Valois | Ailyn Perez La principessa Eboli | Elīna Garanča Tebaldo | Cassandre Berthon Il conte di Lerma | Luigi Strazzullo♮ Un araldo reale | Massimo Sirigu♮ Una voce dal cielo | Maria Sardaryan # Primo Deputato | Takaki Kurihara Secondo Deputato | Lorenzo Mazzucchelli Terzo Deputato | Giuseppe Todisco♮ Quarto Deputato | Ignas Melnikas # Quinto Deputato | Giovanni Impagliazzo # Sesto Deputato | Rocco Cavalluzzi 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des Choeurs José Luis Basso Orchestre et Choeurs de l’Opéra national de Paris Distribution Simon Boccanegra : Ludovic Tézier Jacopo Fiesco : Mika Kares Maria Boccanegra (Amelia Grimaldi) : Maria Agresta (Anita Hartig 4 de´c) Gabriele Adorno : Francesco Demuro Paolo Albani : Nicola Alaimo Pietro : Mikhail Timoshenko Un capitano dei balestrieri : Cyrille Lovighi Un'ancella di Amelia : Virginia Leva-Poncet Simon Boccanegra Melodramma en un prologue et trois actes (1881) Musique Giuseppe Verdi Livret Francesco Maria Piave Arrigo Boito - D'après la pièce d'Antonio Garcia Guttiérrez Direction musicale Fabio Luisi Mise en scène Calixto Bieito Décors Susanne Gschwender Costumes Ingo Krügler Lumières Michael Bauer Vidéo Sarah Derendinger Chef des Choeurs José Luis Basso Orchestre et Choeurs de l’Opéra national de Paris Distribution Simon Boccanegra : Ludovic Tézier Jacopo Fiesco : Mika Kares Maria Boccanegra (Amelia Grimaldi) : Maria Agresta (Anita Hartig 4 de´c) Gabriele Adorno : Francesco Demuro Paolo Albani : Nicola Alaimo Pietro : Mikhail Timoshenko Un capitano dei balestrieri : Cyrille Lovighi Un'ancella di Amelia : Virginia Leva-Poncethttps://operaincasa.com/wp-content/uploads/2018/12/Ih5hREGk4EaIKC0WQfLToQ.jpgIh5hREGk4EaIKC0WQfLToQhttps://operaincasa.com/wp-content/uploads/2018/12/agathe_poupeney___opera_national_de_paris-simon-boccanegra-18-19-c-agathe-poupeney-onp-9-1600px.jpgSimon Boccanegra / Verdi / Calixto BieitoSimon Boccanegra Melodramma en un prologue et trois actes (1881) Musique Giuseppe Verdi Livret Francesco Maria Piave Arrigo Boito - D'après la pièce d'Antonio Garcia Guttiérrez Direction musicale Fabio Luisi Mise en scène Calixto Bieito Décors Susanne Gschwender Costumes Ingo Krügler Lumières Michael Bauer Vidéo Sarah Derendinger Chef des Choeurs José Luis Basso Orchestre et Choeurs de l’Opéra national de Paris Distribution Simon Boccanegra : Ludovic Tézier Jacopo Fiesco : Mika Kares Maria Boccanegra (Amelia Grimaldi) : Maria Agresta (Anita Hartig 4 de´c) Gabriele Adorno : Francesco Demuro Paolo Albani : Nicola Alaimo Pietro : Mikhail Timoshenko Un capitano dei balestrieri : Cyrille Lovighi Un'ancella di Amelia : Virginia Leva-Poncet Simon Boccanegra Melodramma en un prologue et trois actes (1881) Musique Giuseppe Verdi Livret Francesco Maria Piave Arrigo Boito - D'après la pièce d'Antonio Garcia Guttiérrez Direction musicale Fabio Luisi Mise en scène Calixto Bieito Décors Susanne Gschwender Costumes Ingo Krügler Lumières Michael Bauer Vidéo Sarah Derendinger Chef des Choeurs José Luis Basso Orchestre et Choeurs de l’Opéra national de Paris Distribution Simon Boccanegra : Ludovic Tézier Jacopo Fiesco : Mika Kares Maria Boccanegra (Amelia Grimaldi) : Maria Agresta (Anita Hartig 4 de´c) Gabriele Adorno : Francesco Demuro Paolo Albani : Nicola Alaimo Pietro : Mikhail Timoshenko Un capitano dei balestrieri : Cyrille Lovighi Un'ancella di Amelia : Virginia Leva-Poncethttps://operaincasa.com/wp-content/uploads/2018/12/637347.jpgFRA - 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Libretto by Richard Brinsley Sheridan which will be performed as part of Wexford Festival Opera 2024. CIARÁN McAULEY Conductor CONOR HANRATTY Stage Director JOHN COMISKEY Set Designer DANIELE NALDI Lighting Designer MASSIMO CARLOTTO Costume Designer Performance dates: Sat 19 Oct 7:30pm / Thu 24 Oct 7:30pm / Sun 27 Oct 5:00pm / Fri 1 Nov 7:30pm. O’Reilly Theatre | National Opera House Wexford Festival Opera runs from 18 Oct - 2 Nov wexfordopera.com Photo Patricio Cassinonihttps://operaincasa.com/wp-content/uploads/2024/11/the-critic-wfo-pic59-patricio-cassinoni.jpegThe-Critic-WFO-pic59-Patricio-Cassinonihttps://operaincasa.com/wp-content/uploads/2024/11/396561-the-critic-wfo-pic166-patricio-cassinoni.jpeg396561-the-critic-wfo-pic166-patricio-cassinonihttps://operaincasa.com/wp-content/uploads/2024/11/396556-the-critic-wfo-pic41-patricio-cassinoni.jpeg396556-the-critic-wfo-pic41-patricio-cassinonihttps://operaincasa.com/wp-content/uploads/2024/11/24octthecriticwfopic161patriciocassinoni.jpeg24+Oct+The+Critic+WFO+pic161+Patricio+CassinoniHannah O’Brien, Dane Suarez, Ava Dodd, Arthur Riordan, Jonathan White, Mark Lambert in The Critic by Charles Villers Stanford. Libretto by Richard Brinsley Sheridan which will be performed as part of Wexford Festival Opera 2024. CIARÁN McAULEY Conductor CONOR HANRATTY Stage Director JOHN COMISKEY Set Designer DANIELE NALDI Lighting Designer MASSIMO CARLOTTO Costume Designer Performance dates: Sat 19 Oct 7:30pm / Thu 24 Oct 7:30pm / Sun 27 Oct 5:00pm / Fri 1 Nov 7:30pm. 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GIOVANNIMaria Bengtsson (C) and Paul Groves perform respectively as Donna Anna and Don Ottavio in Wolfgang Amadeus Mozart's opera "Don Giovanni" directed by Dmitri Tcherniakov and conduced by Marc Minkowski on July 1, 2013, at the theatre de l'Archeveche in Aix-en-Provence, southern France, as part of the 65st lyrical art festival. AFP PHOTO / ANNE-CHRISTINE POUJOULAThttps://operaincasa.com/wp-content/uploads/2024/09/ill_3444311_8c90_don-giovanni2-1.jpg-Alex Panda, Rod Gilfry, Joelle Harvey, Paul Groves, Kostas Smoriginas and Maria Bengtsson (L to R) perform respectively as Donna Elvira, Don Giovanni, Zerlina, Don Ottavio, Masetto and Donna Anna in Wolfgang Amadeus Mozart's opera "Don Giovanni" directed by Dmitri Tcherniakov and conduced by Marc Minkowski on July 1, 2013, at the theatre de l'Archeveche in Aix-en-Provence, southern France, as part of the 65st lyrical art festival. 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Gražinytė-Tyla Musikalische Leitung • Krzysztof Warlikowski Regie • Małgorzata Szczęśniak Bühne und Kostüme • Felice Ross Licht • Kamil Polak Video • Claude Bardouil Choreografie • Christian Longchamp Dramaturgie • Bogdan Volkov Fürst Lew Nikolajewitsch Myschkin • Ausrine Stundyte Nastassja Filippowna Baraschkowa • Vladislav Sulimsky Parfjon Semjonowitsch Rogoschin • Iurii Samoilov Lukjan Timofejewitsch Lebedjew • Clive Bayley Iwan Fjodorowitsch Jepantschin, General • Margarita Nekrasova Jelisaweta Prokofjewna Jepantschina, seine Frau • Xenia Puskarz Thomas Aglaja Iwanowna Jepantschina • Jessica Niles Alexandra Iwanowna Jepantschina • Pavol Breslik Gawrila (Ganja) Ardalionowitsch Iwolgin • Daria Strulia Warwara (Warja) Ardalionowa Iwolgina • Jerzy Butryn Afanassi Iwanowitsch Totzki Alexander Kravets Messerschleiferhttps://operaincasa.com/wp-content/uploads/2024/08/der-idiot-2024-c-sf-bernd-uhlig-016-2000x1270-1.jpegder-idiot-2024-c-sf-bernd-uhlig-016-2000x1270SALZBURGER FESTSPIELE 2024 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SPIELER von Sergej Prokofjewregie: Peter Sellars; Stage: George Tsypin; Costumes:Camille Assaf; LIGHT James F Ingalls; Polina: Asmik Grigorian;Alexej, Hauslehrer: Sean Panikkar; Antonida Wassiljewna Babulenka: Violetta Urmana ; Der Marquis: Juan Francisco Gatell; Mr. Astley: Michael Arivoni ; Blanche :Nicole Chirka Fürst Nilski: Zhengyi Bai; Baron Wurmerhelm: Ilia Kazakov ; Potapytch: Joseph Parrishhttps://operaincasa.com/wp-content/uploads/2024/08/der-spieler_2024_sf_c_ruth_walz_010-2000x1223-1.jpegDER SPIELER von Sergej Prokofjewregie: Peter Sellars; Stage: George Tsypin; Costumes:Camille Assaf; LIGHT James F Ingalls; Polina: Asmik Grigorian;Alexej, Hauslehrer: Sean Panikkar; Antonida Wassiljewna Babulenka: Violetta Urmana ; Der Marquis: Juan Francisco Gatell; Mr. Astley: Michael Arivoni ; Blanche :Nicole Chirka Fürst Nilski: Zhengyi Bai; Baron Wurmerhelm: Ilia Kazakov ; Potapytch: Joseph 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Kazakovhttps://operaincasa.com/wp-content/uploads/2024/08/der-spieler_2024_c_sf_ruth-walz_003-2000x1287-1.jpegDER SPIELER von Sergej Prokofjewregie: Peter Sellars; Stage: George Tsypin; Costumes:Camille Assaf; LIGHT James F Ingalls; Polina: Asmik Grigorian;Alexej, Hauslehrer: Sean Panikkar; Antonida Wassiljewna Babulenka: Violetta Urmana ; Der Marquis: Juan Francisco Gatell; Mr. Astley: Michael Arivoni ; Blanche :Nicole Chirka Fürst Nilski: Zhengyi Bai; Baron Wurmerhelm: Ilia Kazakov ; Potapytch: Joseph Parrishhttps://operaincasa.com/wp-content/uploads/2024/08/der-spieler_2024_c_sf_ruth-walz_001-2000x845-1.jpegDER SPIELER von Sergej Prokofjewregie: Peter Sellars; Stage: George Tsypin; Costumes:Camille Assaf; LIGHT James F Ingalls; Polina: Asmik Grigorian;Alexej, Hauslehrer: Sean Panikkar; Antonida Wassiljewna Babulenka: Violetta Urmana ; Der Marquis: Juan Francisco Gatell; Mr. Astley: Michael Arivoni ; Blanche :Nicole Chirka Fürst Nilski: Zhengyi Bai; Baron Wurmerhelm: Ilia Kazakov ; 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(Teseo)-c-birgit-gufler-182024-08-24T13:23:02+00:00monthlyhttps://operaincasa.com/2024/08/22/les-contes-dhoffmann-marc-minkowski-mariame-clement-benjamin-bernheim-christian-van-horn-kathryn-lewek/https://operaincasa.com/wp-content/uploads/2024/08/33_les-contes-dhoffmann-2024-c-sf-monika-rittershaus_370-scaled.jpg-copia.jpg33_les-contes-dhoffmann-2024-c-sf-monika-rittershaus_370-scaled.jpg copiahttps://operaincasa.com/wp-content/uploads/2024/08/13_les-contes-dhoffmann-2024-c-sf-monika-rittershaus_304-scaled.jpg-copia.jpg13_les-contes-dhoffmann-2024-c-sf-monika-rittershaus_304-scaled.jpg copiahttps://operaincasa.com/wp-content/uploads/2024/08/les-contes-dhoffmann-2024-c-sf-monika-rittershaus-222-2000x1333-1.jpegles-contes-dhoffmann-2024-c-sf-monika-rittershaus-222-2000x1333Salzburger Festspiele 2024/ Jacques Offenbach / Les Contes D'Hoffmann/ Premiere am 13.08.2024// Mark Minkowski:Musikalische Leitung, Mariame Clément: Regie, Julia Hansen: Bühne und Kostüme, Paule Constable: Licht, Ètienne Guiol: Video, Gail Skrela Hetzer:Choreografie / Christian Arseni: Dramaturgie // Benjamin Bernheim: Hoffmann, Kate Lindsey: Nicklaussehttps://operaincasa.com/wp-content/uploads/2024/08/les-contes-dhoffmann-2024-c-sf-monika-rittershaus-173-2000x1333-1.jpegles-contes-dhoffmann-2024-c-sf-monika-rittershaus-173-2000x1333Salzburger Festspiele 2024/ Jacques Offenbach / Les Contes D'Hoffmann/ Premiere am 13.08.2024// Mark Minkowski:Musikalische Leitung, Mariame Clément: Regie, Julia Hansen: Bühne und Kostüme, Paule Constable: Licht, Ètienne Guiol: Video, Gail Skrela Hetzer:Choreografie / Christian Arseni: Dramaturgie // Benjamin Bernheim: Hoffmannhttps://operaincasa.com/wp-content/uploads/2024/08/les-contes-dhoffmann-2024-c-sf-monika-rittershaus-123-2000x1333-1.jpegles-contes-dhoffmann-2024-c-sf-monika-rittershaus-123-2000x1333Salzburger Festspiele 2024/ Jacques Offenbach / Les Contes D'Hoffmann/ Premiere am 13.08.2024// Mark Minkowski:Musikalische Leitung, Mariame Clément: Regie, Julia Hansen: Bühne und Kostüme, Paule Constable: Licht, Ètienne Guiol: Video, Gail Skrela Hetzer:Choreografie / Christian Arseni: Dramaturgie // Benjamin Bernheim: Hoffmann, Jérome Varnier: Crespel, Christian Van Horn: Dr. Miraclehttps://operaincasa.com/wp-content/uploads/2024/08/les-contes-dhoffmann-2024-c-sf-monika-rittershaus-117-2000x1333-1.jpegles-contes-dhoffmann-2024-c-sf-monika-rittershaus-117-2000x1333Salzburger Festspiele 2024/ Jacques Offenbach / Les Contes D'Hoffmann/ Premiere am 13.08.2024// Mark Minkowski:Musikalische Leitung, Mariame Clément: Regie, Julia Hansen: Bühne und Kostüme, Paule Constable: Licht, Ètienne Guiol: Video, Gail Skrela Hetzer:Choreografie / Christian Arseni: Dramaturgie // Kathryn Lewek: Antonia, Benjamin Bernheim: Hoffmann, Géraldine Chauvet: Die Stimme der 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Regie, Bühne, Kostüme, Licht/ Cindy van Acker:Choreografie/Piersandra Di Matteo: Dramaturgie, Theresa Wilson:Mitarbeit Kostüm, Maxi Menja Lehmann: Mitarbeit Regie, Benedikt Zehm: Mitarbeit Licht // Davide Luciano: Don Giovannihttps://operaincasa.com/wp-content/uploads/2024/08/don-giovanni-2024-c-sf-monika-rittershaus-001-2000x1333-1.jpegdon-giovanni-2024-c-sf-monika-rittershaus-001-2000x1333Salzburger Festspiele 2024/ Wolfgang Amadeus Mozart, Don Giovanni/ Premiere am 28.Juli 2024// Teodor Currentzis:Musikalische Leitung, Romeo Castellucci: Regie, Bühne, Kostüme, Licht/ Cindy van Acker:Choreografie/Piersandra Di Matteo: Dramaturgie, Theresa Wilson:Mitarbeit Kostüm, Maxi Menja Lehmann: Mitarbeit Regie, Benedikt Zehm: Mitarbeit Licht 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exterminating angel / Thomas Adès / Luis Bunuel / Calixto BieitoTHE EXTERMINATING ANGEL Compositeur : Thomas Adès Livret : Tom Cains, Thomas Adès D’après Luis Bunuel Direction musicale : Thomas Adès Mise en scène : Calixto Bieito Décors : Anna Kirsch Costumes : Ingo Krügler Lumières : Reinhard Traub Dramaturgie : Bettina Auer Chef des Chœurs : Ching-Lien Wu Distribution : Lucía de Nobile : Jacquelyn Stucker Leticia Meynar : Gloria Tronel Leonora Palma : Hilary Summers Silvia de Ávíla : Claudia Boyle Blanca Delgado : Christine Rice Beatriz : Amina Edris Edmundo de Nobile : Nicky Spence Comte Raúl Yebenes : Frédéric Antoun Colonel Álvaro Gómez : Jarrett Ott Francisco de Ávíla : Anthony Roth Costanzo Eduardo : Filipe Manu Señor Russell : Philippe Sly Alberto Roc : Paul Gay Doctor Carlos Conde : Clive Bayley © Agathe Poupeney / OnP - 24/02/2024 - Opéra Bastille - Opéra national de Paris - Parishttps://operaincasa.com/wp-content/uploads/2024/07/the-exterminating-angel-23-24-c2a9-agathe-poupeney-onp-9-1294x600-1.jpegThe exterminating angel / Thomas Adès / Luis Bunuel / Calixto BieitoTHE EXTERMINATING ANGEL Compositeur : Thomas Adès Livret : Tom Cains, Thomas Adès D’après Luis Bunuel Direction musicale : Thomas Adès Mise en scène : Calixto Bieito Décors : Anna Kirsch Costumes : Ingo Krügler Lumières : Reinhard Traub Dramaturgie : Bettina Auer Chef des Chœurs : Ching-Lien Wu Distribution : Lucía de Nobile : Jacquelyn Stucker Leticia Meynar : Gloria Tronel Leonora Palma : Hilary Summers Silvia de Ávíla : Claudia Boyle Blanca Delgado : Christine Rice Beatriz : Amina Edris Edmundo de Nobile : Nicky Spence Comte Raúl Yebenes : Frédéric Antoun Colonel Álvaro Gómez : Jarrett Ott Francisco de Ávíla : Anthony Roth Costanzo Eduardo : Filipe Manu Señor Russell : Philippe Sly Alberto Roc : Paul Gay Doctor Carlos Conde : Clive Bayley © Agathe Poupeney / OnP - 24/02/2024 - Opéra Bastille - Opéra national de Paris - Parishttps://operaincasa.com/wp-content/uploads/2024/07/screenshot-2024-03-07-at-14.55.06.pngScreenshot 2024-03-07 at 14.55.06https://operaincasa.com/wp-content/uploads/2024/07/capture-108.jpegcapture-108https://operaincasa.com/wp-content/uploads/2024/07/358843-23506-agathe-poupeney-opera-national-de-paris-th.jpeg358843-23506-agathe-poupeney---opera-national-de-paris-thhttps://operaincasa.com/wp-content/uploads/2024/07/358839-23481-agathe-poupeney-opera-national-de-paris-th.jpeg358839-23481-agathe-poupeney---opera-national-de-paris-thhttps://operaincasa.com/wp-content/uploads/2024/07/23505-agathe_poupeney___opera_national_de_paris-the-exterminating-angel-23-24-agathe-poupeney-onp-36-1600px.jpegThe exterminating angel / Thomas Adès / Luis Bunuel / Calixto BieitoTHE EXTERMINATING ANGEL Compositeur : Thomas Adès Livret : Tom Cains, Thomas Adès D?après Luis Bunuel Direction musicale : Thomas Adès Mise en scène : Calixto Bieito Décors : Anna Kirsch 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2https://operaincasa.com/wp-content/uploads/2016/08/bfs-banner-hamlet_seite.jpgbfs-banner-hamlet_seitehttps://operaincasa.com/wp-content/uploads/2016/08/jubel-fuer-hamlet-neuentdeckung-zum-start-in-bregenz-41-65464982.jpgjubel-fuer-hamlet-neuentdeckung-zum-start-in-bregenz-41-654649822023-10-24T14:39:11+00:00monthlyhttps://operaincasa.com/2020/08/05/cosi-fan-tutte-5/https://operaincasa.com/wp-content/uploads/2020/08/bandiera-francese.jpgbandiera francesehttps://operaincasa.com/wp-content/uploads/2020/08/merlin_174868050_10b64ef7-0f15-43b1-8024-0197fd429525-superjumbo.jpgmerlin_174868050_10b64ef7-0f15-43b1-8024-0197fd429525-superJumbohttps://operaincasa.com/wp-content/uploads/2020/08/cosi-fan-tutte-2020-c-sf-monika-rittershaus-05.jpgcosi-fan-tutte-2020-c-sf-monika-rittershaus-05https://operaincasa.com/wp-content/uploads/2020/08/cosi01-770x510-1.jpgCosi01-770x510Salzburger Festspiele 2020/Wolfgang Amadeus Mozart/Cosi fan tutte/Premiere am 2.August 2020/Musikalische Leitung:Joana Mallwitz/Regie:Christof Loy/Bühne:Johannes Leiacker/Kostüme:Barbara Drosihn// Lea Desandre:Despina, André Schuen:Guglielmo, Marianne Crebassa:Dorabella, Bogdan Voklov:Ferrando, Elsa Dreisig:Fiordiligi, Johannes Martin Kränzle:Don 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due Foscari_(c)Michele Croserahttps://operaincasa.com/wp-content/uploads/2023/10/dsc4640.jpegDSC4640https://operaincasa.com/wp-content/uploads/2023/10/dsc4495.jpegDSC44952023-10-20T17:11:40+00:00monthlyhttps://operaincasa.com/2023/10/20/la-pulzella-dorleans/https://operaincasa.com/wp-content/uploads/2023/10/jungfrau_web_18_foto_sandra_then.jpegjungfrau_web_18_foto_sandra_thenhttps://operaincasa.com/wp-content/uploads/2023/10/jungfrau_web_05_foto_sandra_then.jpegjungfrau_web_05_foto_sandra_thenhttps://operaincasa.com/wp-content/uploads/2023/10/jungfrau_08_foto_sandra_then.jpegjungfrau_08_foto_sandra_thenhttps://operaincasa.com/wp-content/uploads/2023/10/jungfrau_07_foto_sandra_then.jpegjungfrau_07_foto_sandra_thenhttps://operaincasa.com/wp-content/uploads/2023/10/4299_jungfrau_16_foto_sandra_then-scaled-1.jpegDie Jungfrau von OrléansPeter Iljitsch TschaikowskyMonumentale Oper über eine Frau zwischen Kampf, Liebe und Haltung in Zeiten des Krieges. Musikalische Leitung: Péter HalászInszenierung: Elisabeth StöpplerBühne: Annika HallerKostüme: Su SigmundVideo: Choreographie: Licht: Volker WeinhartChorleitung: Gerhard MichalskiDramaturgie: Anna Melcher Auf dem BildRichard Šveda (Lionel), Maria Kataeva (Johanna), Chor und Statisterie der Deutschen Oper am Rheinn. Foto: Sandra ThenDie Jungfrau von Orléans Peter Iljitsch Tschaikowsky Monumentale Oper über eine Frau zwischen Kampf, Liebe und Haltung in Zeiten des Krieges. Musikalische Leitung: Péter Halász Inszenierung: Elisabeth Stöppler Bühne: Annika Haller Kostüme: Su Sigmund Video: Choreographie: Licht: Volker Weinhart Chorleitung: Gerhard Michalski Dramaturgie: Anna Melcher Auf dem Bild Richard Šveda (Lionel), Maria Kataeva (Johanna), Chor und Statisterie der Deutschen Oper am Rheinn. 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Torino2023-10-10T10:10:57+00:00monthlyhttps://operaincasa.com/2020/10/28/un-mari-a-la-porte/2023-10-09T21:49:46+00:00monthlyhttps://operaincasa.com/2023/10/06/opera-de-monte-carlo/https://operaincasa.com/wp-content/uploads/2023/10/80_9782365803168_1_75.jpg80_9782365803168_1_752023-10-07T19:58:23+00:00monthlyhttps://operaincasa.com/2016/10/13/eliogabalo/https://operaincasa.com/wp-content/uploads/2016/10/x1tl0djjii6xok8wtfzo.jpgx1tl0djjii6xok8wtfzohttps://operaincasa.com/wp-content/uploads/2016/10/zjfpaslidixrpceqpqui.jpgzjfpaslidixrpceqpquihttps://operaincasa.com/wp-content/uploads/2016/10/unnamed-file.jpghttps://operaincasa.com/wp-content/uploads/2016/10/the_roses_of_heliogabalus1.jpgthe_roses_of_heliogabalus2023-10-05T09:03:32+00:00monthlyhttps://operaincasa.com/2023/10/03/carmen-10/https://operaincasa.com/wp-content/uploads/2023/10/orn_s2324_carmen_c_marionkerno_carmen-preg2023-84-scaled.jpg-copia.jpgORN_S2324_Carmen_c_MarionKerno_CARMEN-PREG2023-84-scaled.jpg copiahttps://operaincasa.com/wp-content/uploads/2023/10/orn_s2324_carmen_c_marionkerno_carmen-preg2023-77-1030x591.jpg-copia.jpgORN_S2324_Carmen_c_MarionKerno_CARMEN-PREG2023-77-1030x591.jpg copiahttps://operaincasa.com/wp-content/uploads/2023/10/orn_s2324_carmen_c_marionkerno_carmen-preg2023-61-scaled.jpg-copia.jpgORN_S2324_Carmen_c_MarionKerno_CARMEN-PREG2023-61-scaled.jpg copiahttps://operaincasa.com/wp-content/uploads/2023/10/orn_s2324_carmen_c_marionkerno_carmen-3-29-scaled.jpg-copia.jpgORN_S2324_Carmen_c_MarionKerno_CARMEN-3-29-scaled.jpg copiahttps://operaincasa.com/wp-content/uploads/2023/10/860_sc_orn-s2324-carmen-c-marionkerno-carmen-gp2023orn-s2324-carmen-c-marionkerno.jpeg860_sc_orn-s2324-carmen-c-marionkerno-carmen-gp2023orn-s2324-carmen-c-marionkerno2023-10-03T13:14:04+00:00monthlyhttps://operaincasa.com/2017/07/27/carmen-4/https://operaincasa.com/wp-content/uploads/2017/07/carmen-07174.jpgCARMEN (Dmitri Tcherniakov 27 juin 2017)CARMEN, Georges Bizet, Direction musicale Pablo Heras-Casado, Mise en scene et decors Dmitri Tcherniakov, Costumes Elena Zaitseva, Lumiere Gleb Filshtinsky, Chœur Aedes et Chœur d'enfants, Maitrise des Bouches-du-Rhone, Orchestre, Orchestre de Paris, PreGenerale au Grand Theatre de Provence le 27 juin 2017. Avec : Stephanie d'Oustrac (Carmen), Michael Fabiano (Don Jose), Elsa Dreisig (Micaela), Michael Todd Simpson (Escamillo), Gabrielle Philiponet (Frasquita), Virginie Verrez (Mercedes), Christian Helmer (Zuniga), Pierre Doyen (Morales), Guillaume Andrieux (Le Dancaire), Mathias Vidal (Le Remendado). (photo by Patrick Berger/ArtComPress)https://operaincasa.com/wp-content/uploads/2017/07/carmen-07108.jpgCARMEN (Dmitri Tcherniakov 27 juin 2017)CARMEN, Georges Bizet, Direction musicale Pablo Heras-Casado, Mise en scene et decors Dmitri Tcherniakov, Costumes Elena Zaitseva, Lumiere Gleb Filshtinsky, Chœur Aedes et Chœur d'enfants, Maitrise des Bouches-du-Rhone, Orchestre, Orchestre de Paris, PreGenerale au Grand Theatre de Provence le 27 juin 2017. Avec : Stephanie d'Oustrac (Carmen), Michael Fabiano (Don Jose), Elsa Dreisig (Micaela), Michael Todd Simpson (Escamillo), Gabrielle Philiponet (Frasquita), Virginie Verrez (Mercedes), Christian Helmer (Zuniga), Pierre Doyen (Morales), Guillaume Andrieux (Le Dancaire), Mathias Vidal (Le Remendado). (photo by Patrick Berger/ArtComPress)https://operaincasa.com/wp-content/uploads/2017/07/carmen-0728.jpgCARMEN (Dmitri Tcherniakov 27 juin 2017)CARMEN, Georges Bizet, Direction musicale Pablo Heras-Casado, Mise en scene et decors Dmitri Tcherniakov, Costumes Elena Zaitseva, Lumiere Gleb Filshtinsky, Chœur Aedes et Chœur d'enfants, Maitrise des Bouches-du-Rhone, Orchestre, Orchestre de Paris, PreGenerale au Grand Theatre de Provence le 27 juin 2017. Avec : Stephanie d'Oustrac (Carmen), Michael Fabiano (Don Jose), Elsa Dreisig (Micaela), Michael Todd Simpson (Escamillo), Gabrielle Philiponet (Frasquita), Virginie Verrez (Mercedes), Christian Helmer (Zuniga), Pierre Doyen (Morales), Guillaume Andrieux (Le Dancaire), Mathias Vidal (Le Remendado). (photo by Patrick Berger/ArtComPress)https://operaincasa.com/wp-content/uploads/2017/07/carmen-0717.jpgCARMEN (Dmitri Tcherniakov 27 juin 2017)CARMEN, Georges Bizet, Direction musicale Pablo Heras-Casado, Mise en scene et decors Dmitri Tcherniakov, Costumes Elena Zaitseva, Lumiere Gleb Filshtinsky, Chœur Aedes et Chœur d'enfants, Maitrise des Bouches-du-Rhone, Orchestre, Orchestre de Paris, PreGenerale au Grand Theatre de Provence le 27 juin 2017. Avec : Stephanie d'Oustrac (Carmen), Michael Fabiano (Don Jose), Elsa Dreisig (Micaela), Michael Todd Simpson (Escamillo), Gabrielle Philiponet (Frasquita), Virginie Verrez (Mercedes), Christian Helmer (Zuniga), Pierre Doyen (Morales), Guillaume Andrieux (Le Dancaire), Mathias Vidal (Le Remendado). (photo by Patrick Berger/ArtComPress)https://operaincasa.com/wp-content/uploads/2017/07/bizet-revu-par-tcherniakov-la-musique-resplendit-mais-ou-est-carmenm469213.jpgCARMEN (Dmitri Tcherniakov 27 juin 2017)CARMEN, Georges Bizet, Direction musicale Pablo Heras-Casado, Mise en scene et decors Dmitri Tcherniakov, Costumes Elena Zaitseva, Lumiere Gleb Filshtinsky, ChÏur Aedes et ChÏur d'enfants, Maitrise des Bouches-du-Rhone, Orchestre, Orchestre de Paris, PreGenerale au Grand Theatre de Provence le 27 juin 2017. Avec : Stephanie d'Oustrac (Carmen), Michael Fabiano (Don Jose) (photo by Patrick Berger/ArtComPress)https://operaincasa.com/wp-content/uploads/2017/07/carmen-0792-2720pxl.jpgcarmen-0792-2720pxl2023-10-02T15:40:13+00:00monthlyhttps://operaincasa.com/2022/07/10/turandot-13/2023-10-01T21:13:48+00:00monthlyhttps://operaincasa.com/2022/07/10/turandot-12/https://operaincasa.com/wp-content/uploads/2022/07/size973x546a.jpegsize=973x546ahttps://operaincasa.com/wp-content/uploads/2022/07/size973x546.jpegsize=973x546https://operaincasa.com/wp-content/uploads/2022/07/size966x543.jpegsize=966x543https://operaincasa.com/wp-content/uploads/2022/07/obs_20220616_obs0020.jpegLive aus der Staatsoper Unter den LindenPhilipp Stölzls Inszenierung von Puccinis "Turandot" feiert am Samstag, 18. Juni 2022 Premiere an der Staatsoper Unter den Linden. ARTE überträgt live im Netz. / Weiterer Text über ots und www.presseportal.de/nr/9021 / Die Verwendung dieses Bildes ist für redaktionelle Zwecke unter Beachtung ggf. genannter Nutzungsbedingungen honorarfrei. 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Nur dann sind Nutzungen für Ankündigungszwecke und bei besonders gekennzeichneten Fotos auch für Rezensionen und weitergehende Berichterstattung über die Komische Oper Berlin ausnahmsweise honorarfrei. Urheberrecht und AGB der Bildurheber*innen bleiben von unserem Nutzungsangebot unberührt – bitte wenden Sie sich bei Fragen direkt an die Fotograf*innen! Urheberrechtsverletzungen und nicht vereinbarungsgemäße Verwendungen begründen rechtliche und weitergehende finanzielle Ansprüche. Mehr Informationen und Bildmaterial: https://www.komische-oper-berlin.de/presseservice/https://operaincasa.com/wp-content/uploads/2022/07/dscf1707_v2j_suffner_katja_kabanowa.jpegdscf1707_v2j_suffner_katja_kabanowahttps://www.komische-oper-berlin.de/ Bitte beachten Sie: Alle unsere Fotos sind urheberrechtlich geschützt und dürfen ausschließlich bei Nennung der Fotograf*innen verwendet werden. Nur dann sind Nutzungen für Ankündigungszwecke und bei besonders gekennzeichneten Fotos auch für Rezensionen und weitergehende Berichterstattung über die Komische Oper Berlin ausnahmsweise honorarfrei. Urheberrecht und AGB der Bildurheber*innen bleiben von unserem Nutzungsangebot unberührt – bitte wenden Sie sich bei Fragen direkt an die Fotograf*innen! Urheberrechtsverletzungen und nicht vereinbarungsgemäße Verwendungen begründen rechtliche und weitergehende finanzielle Ansprüche. Mehr Informationen und Bildmaterial: https://www.komische-oper-berlin.de/presseservice/https://operaincasa.com/wp-content/uploads/2022/07/dscf0077_j_suffner_katja_kabanowa.jpegdscf0077_j_suffner_katja_kabanowahttps://www.komische-oper-berlin.de/ Bitte beachten Sie: Alle unsere Fotos sind urheberrechtlich geschützt und dürfen ausschließlich bei Nennung der Fotograf*innen verwendet werden. Nur dann sind Nutzungen für Ankündigungszwecke und bei besonders gekennzeichneten Fotos auch für Rezensionen und weitergehende Berichterstattung über die Komische Oper Berlin ausnahmsweise honorarfrei. Urheberrecht und AGB der Bildurheber*innen bleiben von unserem Nutzungsangebot unberührt – bitte wenden Sie sich bei Fragen direkt an die Fotograf*innen! Urheberrechtsverletzungen und nicht vereinbarungsgemäße Verwendungen begründen rechtliche und weitergehende finanzielle Ansprüche. Mehr Informationen und Bildmaterial: https://www.komische-oper-berlin.de/presseservice/2023-10-01T21:08:11+00:00monthlyhttps://operaincasa.com/2022/07/03/lucia-di-lammermoor-8/https://operaincasa.com/wp-content/uploads/2022/07/dsc_6685.jpg-copia.jpgDSC_6685.jpg copiahttps://operaincasa.com/wp-content/uploads/2022/07/dsc_5056a-scaled-1.jpegDSC_5056a-scaledhttps://operaincasa.com/wp-content/uploads/2022/07/dsc_4940a-scaled-1.jpegDSC_4940a-scaledhttps://operaincasa.com/wp-content/uploads/2022/07/258239-lucia-1618s.jpeg258239-lucia-1618shttps://operaincasa.com/wp-content/uploads/2022/07/258237-lucia-0749s.jpeg258237-lucia-0749shttps://operaincasa.com/wp-content/uploads/2022/07/1-nadine-sierra-in-the-title-role-of-donizettis-lucia-di-lammermoor.-photo-marty-sohl-met-opera-682x1024-1.jpeg1-Nadine-Sierra-in-the-title-role-of-Donizettis-Lucia-di-Lammermoor.-Photo-Marty-Sohl-Met-Opera-682x1024https://operaincasa.com/wp-content/uploads/2022/07/9a1c61bd543eb268ec6537ecb1c505730e-lucia-4812s.2x.rsocial.w600.jpg-copia.jpg9a1c61bd543eb268ec6537ecb1c505730e-Lucia-4812s.2x.rsocial.w600.jpg copia2023-10-01T21:07:12+00:00monthlyhttps://operaincasa.com/2022/06/13/intervista-a-carlo-vistoli/https://operaincasa.com/wp-content/uploads/2022/06/alcina_prove-c2a9-michele-monasta-maggio-musicale-fiorentino-16.jpgalcina_prove-c2a9-michele-monasta-maggio-musicale-fiorentino-16https://operaincasa.com/wp-content/uploads/2022/06/carlo-vistoli-as-apollo-in-caldaras-dafne-c2a9daniele-grillo.jpgCarlo Vistoli as Apollo in Caldara's Dafne ©Daniele Grillohttps://operaincasa.com/wp-content/uploads/2022/06/2022-hande.-giulio-cesare-tolomeo.jpeg2022 Hande. Giulio Cesare Tolomeo)https://operaincasa.com/wp-content/uploads/2022/06/2022-gluck-orf-eur-bwerlino.jpeg2022 Gluck, Orf Eur, Bwerlinohttps://operaincasa.com/wp-content/uploads/2022/06/2021-handel-ariodante-polinesso.jpeg2021 Handel, Ariodante (Polinesso)https://operaincasa.com/wp-content/uploads/2022/06/2020-stradella-il-trespolo-tuore-nino.jpeg2020 Stradella, Il trespolo tuore (Nino)https://operaincasa.com/wp-content/uploads/2022/06/2019-gluck-orf-orfeo-roma.jpeg2019 Gluck, Orf (orfeo), Romahttps://operaincasa.com/wp-content/uploads/2022/06/2018-monteverdi-incoronazione-ottone.jpeg2018 Monteverdi, Incoronazione (Ottone)https://operaincasa.com/wp-content/uploads/2022/06/2018-hasse-artaserse-artabano.jpeg2018 Hasse, Artaserse (Artabano)https://operaincasa.com/wp-content/uploads/2022/06/2017-cavlli-erismena-idraspe-.jpeg2017 Cavlli, Erismena (Idraspe),2023-10-01T21:04:46+00:00monthlyhttps://operaincasa.com/2023/10/01/il-paese-dei-campanelli/https://operaincasa.com/wp-content/uploads/2023/09/pdc-novara-finotti-31.jpgpdc Novara Finotti 31https://operaincasa.com/wp-content/uploads/2023/09/pdc-novara-finotti-29.jpgpdc Novara Finotti 29https://operaincasa.com/wp-content/uploads/2023/09/pdc-novara-finotti-23.jpgpdc Novara FInotti 23https://operaincasa.com/wp-content/uploads/2023/09/pdc-novara-finotti-15.jpgpdc Novara Finotti 15https://operaincasa.com/wp-content/uploads/2023/09/pdc-novara-finotti-4.jpgpdc Novara FInotti 42023-10-01T16:32:34+00:00monthlyhttps://operaincasa.com/2023/07/31/il-paese-dei-campanelli-festivl-valle-ditria-fabio-luisi-alessandro-talevi-francesca-sassu-maritina-tampakapoulos-solvia-regazzo-norman-renhardt-matteo-macchioni/https://operaincasa.com/wp-content/uploads/2023/07/dsc06186fvi2023_il-paese-dei-campanelli-_clarissalapollaphfvi2023_il-paese-dei-campanelli-_clarissalapollaph.jpgDSC06186FVI2023_Il Paese dei Campanelli _ClarissaLapollaphFVI2023_Il Paese dei Campanelli _ClarissaLapollaphhttps://operaincasa.com/wp-content/uploads/2023/07/dsc06092fvi2023_il-paese-dei-campanelli-_clarissalapollaphfvi2023_il-paese-dei-campanelli-_clarissalapollaph.jpgDSC06092FVI2023_Il Paese dei Campanelli _ClarissaLapollaphFVI2023_Il Paese dei Campanelli _ClarissaLapollaphhttps://operaincasa.com/wp-content/uploads/2023/07/dsc05912fvi2023_il-paese-dei-campanelli-_clarissalapollaphfvi2023_il-paese-dei-campanelli-_clarissalapollaph.jpgDSC05912FVI2023_Il Paese dei Campanelli _ClarissaLapollaphFVI2023_Il Paese dei Campanelli _ClarissaLapollaphhttps://operaincasa.com/wp-content/uploads/2023/07/dsc05609fvi2023_il-paese-dei-campanelli-_clarissalapollaph.jpgDSC05609FVI2023_Il Paese dei Campanelli _ClarissaLapollaphhttps://operaincasa.com/wp-content/uploads/2023/07/cdm_8603fvi2023_il-paese-dei-campanelli-_clarissalapollaph.jpgCDM_8603FVI2023_Il Paese dei Campanelli 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Opéra en quatre actes et dix tableaux (1885) , Musique de Jules Massenet (1842-1912) , Livret D’ Adolphe D’ Ennery, de Louis Gallet , Et D’ Edouard Blau d’après la pièce homonyme de Pierre Corneille Direction musicale Michel Plasson , Mise en scène Charles Roubaud , Décors Emmanuelle Favre , Costumes Katia Duflot , Lumières Vinicio Cheli , Chef des Choeurs José Luis Basso , Sonia Ganassi (Chimène), Annick Massis (L’Infante), Roberto Alagna (Rodrigue), Paul Gay (Don Diègue), Nicolas Cavallier (Le Roi), Laurent Alvaro (Le Comte de Gormas), Francis Dudziak (Saint Jacques), Jean-Gabriel Saint-Martin (L’Envoyé maure), Luca Lombardo (Don Arias), Ugo Rabec (Don 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ItalyEntertainment"Fidelio" by Ludwig van Beethoven opens the new season of the theater La ScalaDISTRIBUTION FREE OF CHARGE - NOT FOR SALEhttps://operaincasa.com/wp-content/uploads/2020/12/scala1-il-soprano-anja-kampe-in-prova.jpgscala1-il-soprano-anja-kampe-in-provahttps://operaincasa.com/wp-content/uploads/2020/12/o-fidelio-scala-facebook.jpgScala:Prima di Fidelio è social,in streaming anche backstageUna foto di scena di Fidelio di Ludwig van Beethoven, direttore Daniel Barenboim, regista Deborah Warner, scene e costumi di Chloe Obolensky, luci di Jean Kalman.Milano, 6 dicembre 2014. 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generale 30-06)(Christopher Alden 2014)LE TURC EN ITALIE, IL TURCO IN ITALIA, Gioacchino Rossini, Direction musicale Marc Minkowski, Mise en scene Christopher Alden, Decors Andrew Lieberman, Costumes Kaye Voyce, Lumiere Adam Silverman, Chœur Ensemble vocal Aedes, Orchestre Les Musiciens du Louvre Grenoble, Festival d'Aix en Provence, pre generale le 30 juin 2014 au Theatre de l'Archeveche. 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Mattei as Shishkov and actor Steve Trzaska (in bed on right) in Janacek’s “From the House of the Dead.” Photo: Ken Howard/Metropolitan Opera Taken during the rehearsal on November 4, 2009 at the Metropolitan Opera in New York City.https://operaincasa.com/wp-content/uploads/2014/05/house.0910.15.jpgHouse.0910.15Ales Jenis (center, wearing orange) as the Prisoner who plays Don Juan in scene from Act II of JanacekÕs ÒFrom the House of the DeadÓ with Kurt Streit as Skuratov (seated far left on front row of bleachers), and actors Wayne Brusseau (downstage, in coat), Michael Lewis (upstage, right of Jenis), Deric McNish, Bjšrn Pederson, and Michael Melkovic.Photo: Ken Howard/Metropolitan OperaTaken during the rehearsal on November 4, 2009 at the Metropolitan Opera in New York City.https://operaincasa.com/wp-content/uploads/2014/05/house.0910.10.jpgHouse.0910.10A scene from Act II of Janacek's "From the House of the Dead."Photo: Ken Howard/Metropolitan OperaTaken during the rehearsal on November 9, 2009 at the Metropolitan Opera in New York City.https://operaincasa.com/wp-content/uploads/2014/05/house.0910.09.jpgHouse.0910.09A scene from Janacek’s “From the House of the Dead” with Eric Stoklossa as Alyeya and Willard White as Alexander Petrovich Gorianchikov. Photo: Ken Howard/Metropolitan Opera Taken during the rehearsal on November 4, 2009 at the Metropolitan Opera in New York City.https://operaincasa.com/wp-content/uploads/2014/05/house.0910.04.jpgHouse.0910.04A scene from Act I of Janacek’s “From the House of the Dead" with (from left to right) actor Erwin E.A. Thomas (with pail on head), Eric Stoklossa as Alyeya, actor Deric McNish (holding eagle), actor Peter John Lester, Wayne Brusseau, Vladimir Chmelo as The Short Prisoner, actor Jon Morris, Heinz Zednik as The Old Prisoner, and actor Damiyr Shuford. 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