Die tote Stadt (The Dead City)

Eric Wolfgang Korngold, The Dead City


Milan, Teatro alla Scala, 28 May 2019

 Qui la versione italiana

The first time of Korngold’s Die tote Stadt at La Scala, and it’s a triumph

Two intriguing clinical cases are currently on stage in two almost contemporary works from the 1920s. In Prokofiev’s The Fiery Angel in Rome, it’s the case of Renata: is it hysterical neurosis or exalted religiosity? In Milan in Eric Korngold’s Die tote Stadt (“The Dead City”), one wonders whether it is only a dream or if the protagonist Paul is in the grip of madness.

Unlike Robert Carsen, who opted for the second hypothesis in his production at the Komische Oper in Berlin…

continues on bachtrack.com